Timestamp: Sarah Jane Adventures Series Two Summary

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Sarah Jane Adventures: Series Two Summary

 

Another solid run for the Bannerman Road Gang.

The series had its ups and downs, though. We met Rani, a new member of the family, after an emotional send-off for Maria. I was very pleased that Maria wasn’t killed off – it is a children’s show, after all – and that she got to return as a meaningful guest for a couple of adventures.

The negative was how repetitive the first four stories of the series were. All of them focused on mind control as a plot point, and it dragged down the performance of Secrets of the Stars and The Mark of the Berserker.

The series did spring back with the magnificent The Temptation of Sarah Jane Smith and the loose-end tying Enemy of the Bane. I really liked the character development for Sarah Jane Smith, the fresh take on the predestination paradox, and the clean slate leading into the next series of this show.

Series Two comes in at an average of 4.1. That’s lower than the first series, and in comparison to Doctor Who, that’s on par with classic seasons Five and Eighteen and Series Two in the revival era, just inside the top ten. It still beats both the first and second series of Torchwood.

 

The Last Sontaran – 4
The Day of the Clown – 5
Secrets of the Stars – 3
The Mark of the Berserker – 4
The Temptation of Sarah Jane Smith – 5
Enemy of the Bane – 4
From Raxacoricofallapatorius with Love – 4

Sarah Jane Adventures Series Two Average Rating: 4.1/5

 

Since we’re still proceeding in airdate order through the material from 2009, the Timestamps Project lands next on Planet of the Dead before diving into Torchwood: Children of Earth. After that, we’ll swing back to the third series of Sarah Jane and the end of the Tennant era to wrap up the calendar year.

 

UP NEXT – Doctor Who: Planet of the Dead

 

The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.

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